Most men think that women are put in the world for pleasure, their own entertainment. They only think about what they want and think of ways of getting it (from girls). In traditional gender roles, women are taught to act like a lady, be proper, stay quiet, be submissive. When a man talks and asserts authority, women are supposed to listen and take them seriously and do as they say. Women are not supposed to question men. Women are supposed to nod and smile at everything. Act like robots. I don’t even know why. I’m sorry, but if you are talking about things that are completely against my values, you can bet I will speak up. I will not sit and take it. Some women think that staying quiet is a sure way to keep a man or they fear that the guy will be angry with them. I’m sorry, but women are humans as well. We have emotions. We have our own thoughts. We have a voice. We are not just toys you can play with and toy around with. Women have different roles in life than being a mother and wife. Sorry, not sorry. Men tend to forget this fact. If women stand up for themselves, they are called “too sensitive” or that we are “over-reacting” and we need to “calm down”. That is the worst thing that you can tell a girl. If a woman is telling you she’s hurt or offended, it means you need to apologize, not brush it off. It does not mean call us crazy. These type of remarks are men’s way of manipulating , minimizing her worth. It’s a way to silence women. I am not one to sit by the sidelines while letting a man tell me what I’m feeling is all in my head. I am not scared to stand up for myself and demand respect. If that makes me crazy, so be it. At least I’m not crazy enough to let a man tell me how I should feel. I have a stronger persepective of myself. I know what I deserve and I don’t deserve to be treated like a child. Do not shame women or invalidate their feelings. Do not intimidate women when they voice their opinions and reasons. It is not about having thick skin or taking criticism well. I will not apologize for who I am and saying what I feel and how I feel. I will not apologize for being true to myself and being honest with you. One big clue why men say this is because they know they’re wrong but are too coward to say “I’m Sorry”. They are trying to keep their power and trying to make women inferior. when a woman speaks up, men feel threatened and thus turn the ables around. I also heard that some guys also use this tactic because they think that if they sweet talk you, women will forgive them and they will get some later. See manipulation again: It’s all about sex. Real women deserve a guy who will lift them up, not put them down. I am happy being “too emotional” a “bitch” and for “over-reacting”. I know my self-worth.
there are plenty great artists out there, and it can be from being a singer or a person who loves doing vines. Vines has been something that has been trending for the past years, and it allows the actors from vines to have fun, be themselves to make their audience laugh. Meanwhile, some have their story focus on the love relationship, how both genders can cheat on one another and bring wit in it. A lot of them in vine tend to bring great soundtrack and amazing story lines which are incredible to watch and listen to. They have great opportunities just like famous actors and singers to play in movies, tv shows. And I bet they get to meet their favorite ones too. I think vines are important because it is a limited short video film that is less than ten seconds in which the person had to tell his or her story. And it is so hard to tell a funny story just in that limited of time but they make it work, and i think it is genius of them to do such an amazing work.
So, after discussing visual rhetoric in class, I went to find some more examples that I could dissect.
Here’s the first one:
I thought this one was very powerful because I think this was my problem with feminism before I started researching more conversations. Even though I knew the dictionary definition advocated for equality, the instances of which I have seen feminism preached did not really reflect that at all, making me feel like I did not want to associate myself with this. The dictionary represents an idea of a neutral, harmless idea that is perhaps a romanticized, utopian version that has not yet been reached, and may never be reached. I think the image in the top right corner is very effective, caption aside, because I know first hand girls are vicious and don’t do a very good job of “sticking together” and “supporting their sisters of womenhood.” A lot of women become very vocal about criticizing others to elevate your own status, which has been a habit that has sadly turned into a culture. The bottom right image is also effective for two reasons: 1) the megaphone is an effective symbol for overcompensating that women need to be heard 2) the man’s blank face, as if he has been stripped of all capability/agency once the woman has gained her own. I think these are very powerful, realistic, and identifiable images/themes, and that concerns me. I think a lot of the true feminists are soft-spoken and don’t really voice their opinions because they have surrounded themselves with people who respect them regardless of their gender. That leaves other rash women speaking on their behalf and blemishing the name of feminism. Does this mean that feminists have a right to put a muzzle on women giving the rest of them a bad name? Or does feminism mean they have to respect those views too, unable to stop that behavior? How would one revoke the right to preach feminism?
The relation back to the dictionary also makes me think of how the Bible and other holy scriptures are appropriated and taken out of context, and how the actions of a minority suddenly turn the entire concept sour. A friend of mine said religion is bad because it’s used as a shield to gain your own agendas, in the context of the Crusades, and it appalled me, because I happen to think religion is beautiful, peaceful, and spiritual (though I don’t belong to a sect of organized religion).
I feel like this graphic is really simple, but it struck a lot of deep questions that I was grappling with at the beginning (and perhaps still am).
Second Image:
I grabbed this one mainly for the rhetoric. I found the dichotomy of what people tell their sons and daughters very interesting. I think another reason why I was never big on feminism is because my Dad raised me very similarly to how he would raise a boy – he picked on me, he teased me, he challenged me, he never let me win (easily, at least), he told me crude jokes. He’s also the one who taught me how to braid hair, paint my nails, sew by hand, crochet, or with a sewing machine, and bought me my first make-up set, because my Mom didn’t do anything remotely feminine like that. So I think having a parent who embraced both gender roles (I did mixed martial arts for five years and practiced with him, but he hated sports, unlike most stereotypical white fathers, and he watched Disney movies with me instead), and encouraged me to embrace both really made me a balanced individual who feels comfortable in both masculine and feminine environments. But I’ve noticed lately that he’s focusing more on me being safe and watching my surroundings, and buying me stealth weapons, training me on what to do in case I’m stopped, and I wonder if he would teach his son that. Of course, he grew up on Detroit, so he probably would to some extent, but perhaps he’d be less worried for a son. The saying on the picture breeds irresponsibility in sons, and has girls bearing the consequences. It’s also like that saying, “A father is someone who wants his son to grow up just like him, and fear his daughter will meet someone who has.” There’s this double standard that exists in parenting, much more important than what color your child wears (my parents dressed me in blue and red and I was confused for a boy the first year of my life, until they finally gave in to pink) or what toys they play with. It’s the rhetoric you raise your child with, and I think this picture highlights that.
I think the above post is both truthful and degrading. It’s truthful because I don’t see a lot of women of color saying they don’t need feminism, and I think your belief in feminism has to do with privilege. Those closer to the glass ceiling take it for granted, but I don’t think they’re necessarily saying other people don’t need it. Or maybe they are and they’re ignorant of what other women are going through. I think the historically short sighted part rings true because feminism has done so much for women in the past hundred years, and it’s sad we don’t acknowledge that. But I also think this post is degrading because of the following one:
What first struck me about this post is that the woman isn’t saying SHE doesn’t need feminism, she’s saying other people need it more. And I think that’s what’s wrong with the Women Against Feminism rhetoric. 1) They’re speaking only about a small minority of loudmouth feminists who don’t preach actual principles of feminism 2) They don’t recognize other populations’ need for feminism. I also identify with this because I didn’t feel right calling myself a feminist when I wasn’t actively fighting for women’s rights, when I know there are so many women out there who need all types of aid. So I really liked how this subtly elucidated this concept of almost a relative feminism. Some people need it more than others, but all people need it.
I love this last image so much. I think I like it mainly for it’s simplicity, but it’s also a great visual. I not only like that he’s a man of color, but that he’s flexing as well. It sends the message that being a feminist does not decrease your masculinity at all, which is a message that needs to be sent. Of course, it seems like it, when women mistreat men, but that frustrates me because people in general are jerks, both men and women, probably equally so, but in different ways. I don’t think there is ever going to be true equality because of all the hate that circulates the world, and the various perpetrators who fan the flames, but this picture warmed my heart more than all the other try-hard rhetoric I’ve found supporting women’s rights.
This week I did a little more research (in order to have little more insight for our cultural artifact assignment) on the photo editing software named Photoshop. I came across an article that was written by a professional photographer it was titled “Is photoshop a villain?” Essentially the article was about Photoshop and the perception society has on it in our culture. After reading this article I had major thoughts and ideas. For one can artifacts actually be good or bad or does our culture/society give them the label they want to give them. Do we label artifacts good or bad depending on how they will benefit us in the long run? Do we label artifacts good or bad because they are not necessarily something that we believe in or are very fond of?
Take the example of this cultural artifact: Make-up. I am a wearer of make-up. I LOVE make-up. Do I wear it all the time? NO. Do I feel ugly without it? NO. Do I think I’m hideous and thats why I wear it? NO. Do I feel prettier with it? YES. Does it change the person that I am or what I will stand up for? NO. Do I get judged for wearing make-up? YES. I wear make up because I want to look my best. (Is there something wrong with that?) I like make- up because to me its like art. There are so many colors/shades you can choose from in relation to eyeshadows, lipsticks,eyeliners,mascara, blushes, bronzers etc. There are so many looks that one can do with make up. The greatest thing about make up is that you can choose the amount you want to wear. Sometimes I can wear very little, a little bit more or even none. It all depends on the occasion. I have been told that people who wear make up are fake or have something to hide. They consider make-up a villain in our society. They say that make-up skews reality.I don’t think this is true. When I wear make-up I don’t think I look like a completely different person. It’s not like I went to go get tons of cosmetic procedures to alter my face (and if someone actually does this who cares?) Yet people think that wearers of make-up are fake. They say that make-up is deceiving that people are trying to portray something that they are not. I apologize if you thought that I was born with eyeliner on my eyelids and highlight on my cheeks. I’ve been called out by certain feminist that I know because I wear make-up. I thought being a feminist (correct me if I’m wrong) was suppose to be about women empowerment or is the term feminist reserved for only certain “types” of women. One more thing I cannot stand is when people assume that just because you wear make-up you can’t be intelligent. I’ve heard people say that I should focus my time on other things. I go to school full time (get excellent grades), I work part time, I do my homework, I sleep, I eat, and do other things. The time it takes for me to do my make-up does not take away the time for all of these other things. I choose to spend the time to do my make-up (if I have to wake up earlier then that is my decision that shouldn’t effect anyone else). I understand that other people will have a different priority list when it comes to dividing their time but why judge people who have different priorities/lifestyles. Maybe this has to do with age? Different priorities different age? I don’t know. What I do know is that make-up isn’t the villain here. Maybe you are. I think this is true to all cultural artifacts. I we like them they are heroes and if we don’t we consider them villains.
Yahoo finance posted an article in 2013 on old fashioned hobbies. Apparently an increasing amount of people are taking classes in your grandparents hobbies. Some of these hobbies include Urban beekeeping, butterfly mounting, taxidermy, and printing and bookbinding classes. They’ve found that the group taken part in these classes are none other than hipsters. Due to this Craft and Hobby industries have gained a new found customer base. If you think it wouldn’t be that much, then you’re dead wrong. They’ve estimated $30.2 billion in revenue.
This article shows us that Hipsters are doing what they do best, standing out. The writer, Katrina Biship, finds that hipsters are partaking in “skills to stand out from the crowd.” I’ve found in my research that this is a common hobbie for hipsters. To stand out they do the unexpected, even if its extraordinarily weird.
Originally, investors believed that hipsters would grow bored of the taxidermy classes and bookbinding. They believed that it would only last for around 6 months. However, after 4 years they’ve found that the market has only increased. In fact, people from all over the world are flying to urban cities just to embark on these classes. Think about that. Taxidermy classes sold out for days. That’s some serious dedication. They’ve even seen honey tastings in New York! The people who partake in urban beekeeping supposedly get together and brag about their honey.
Honestly, I want to say i’m surprised, but I can’t. Hipsters have always sought out old interests and hobbies. The beekeeping appears to be an appropriation of farming culture. Bookbinding and taxidermy both seem like hobbies taken from the 19th century that Hipsters have an urge to bring back.
Another part of the article is dedicated to Hipsters embracing local goods instead of giving in to the capitalist system. By making their own goods, like soap-making, crafters actually save on money. They don’t have to go to the store anymore to buy their soaps, and by making it they know exactly what they’re putting on their skin. They can also sell their products locally, at an inflated price. People who buy goods handmade instead of factory made usually pay more for their soap. These Hipsters are actually making a pretty penny in big cities by selling their homegrown products. “If most people around you are buying mass-produced consumer goods from retail stores, then producing goods at home is a good strategy for constructing your self-identity as unique and counter-cultural.”
The writer of this article brings up an excellent point however. These hobbies take up a lot of time and they are by no means easy. These are crafts. Unlike back in the day, people can’t live off of these hobbies for an extended period of time. They suck up an large amount of your time and they take serious patience. But what could be a reason for wasting so much precious time on tedious hobbies. Maybe its a way for these Hipsters to rebel against this obsession everyone has with technology.
This week I read an article that was bringing up all the issues with ABC Family’s Switched at Birth. This show features a deaf and hearing girl being switched and then finding out 16 years later. For my “ideas” post this week I really wanted to have a conversation with this guys review only because I do think that I, as always, have comments based on my own personal opinion. so his first issue with the show was that Katie Leclerc is not deaf but instead “hearing”. What he fails to mention is that she has BPPV or Begin Proximal Positional Vertigo. This is a inner ear disorder that causes attacks or spouts of dizziness that can last from a few minutes to a few weeks. It can be caused by any number of things from air pressure change to going on a ride at the fair to just sitting and doing nothing. It really just depends on the weakness of the muscles in your ear. Some of the side effects to BPPV is in fact loss of hearing for a portion to the entire attack. This hearing loss can be temporary but also with each attack, hearing gets worse and worse until it is possibly lost for good. Katie Leclerc may not be fully deaf, but to do deaf for a few weeks every attack can be an issue. Allow with BPPV she has menieres, which is basically the same thing, just categorized differently.
The other issue he had that I wanted to bring up was the teen drama. THE SHOW IS ON ABC FAMILY all that is shown there is teen drama. I know that this is one of the only shows that have sign language but the show at its most basic form is a teen drama and lets be real, the tv stations will do almost anything to boost ratings. SO Mr Anonymous, I understand your issues with the show but I request two things from you, PLEASE don’t judge someone just because their hearing impairment doesn’t look like yours. ALSO REALIZE THE SHOWS TARGET MARKET, ITS NOT JUST YOU.
Human history is centered around the divisions that continue to divide our species. Divisiveness is next to “humanliness”. One of the staples of commonly joked about stereotypes concerning the study of history is that, at least in the eyes of elementary and high school students, all that human history is is a long list of wars. And in a certain light that stereotype isn’t too misleading. The very word civilization, a concept which – because it caries the implication of writing with it – is thought of as being the foundation of human history, also caries with it divisions, and divisions lead to conflict. People understand themselves in terms of groups before they consider their own unique individual attributes. Who am I? Male, an American of European decent, an agnostic, a college student, a history major, etcetera… All of these refer to groups more so than to specific qualities. I may say I am a history major, but all that it communicates about me is that I’m working to fulfill a credit requirement weighed toward history courses. When one considers the actual term objectively, deductively and logically, “being a history major” in what it communicates specifically doesn’t even necessarily communicate that I enjoy the study of history. But when you take me and put me in a group of history majors, suddenly we gain much more – although less reliable – information about me. Considering that as a group, history majors enjoy the study of history, one might reasonably guess that I enjoy history as well, and he’d have guessed right. One could go further. One might suppose that if I went to graduate school, I’d begin wearing sport jackets on campus, as is the convention among the group, and here again by placing me in the context of the group one has access to reasonable inferences that can only be made by considering my specific subdivision in the human race.
What I’d like this discussion to boil down to is the future of human division, the future of human groups. I believe that within the younger generation’s lifetime or within our children’s lifetime the human race will have been split into two important groups in the future history of our species. The new groups will bear the titles Martian and Earthling. And important differences will divide them due to distance and the progress time will take them along what will undoubtably be different histories (one for each planet). But I believe human Martians and Human Earthlings will also probably look very different in appearance. What creates the appearance of an individual is primarily two factors: genetics and environment. Now genetics will probably be unaltered, but I’m wondering if the Martian environment will have an effect on Martian height due to lower gravity levels which would otherwise slow growth in humans adapted to growth in earth’s gravity. Will there be a physical difference in the appearance of Martians? Only time will tell. But what is more important is even more unforeseeable. Only the future of human history will recount the events surrounding the dynamic between the undoubtedly very different and much divided Martians and Earthlings.
Classify your artifact. Classifications are helpful to understanding your artifact. Once you’ve placed your particular artifact in a larger group, you can make connections between your artifact and the general characteristics associated with that group. In addition, sometimes describing your artifact from within a larger, more generalized framework makes it easier to identify important features. Usually, an artifact can classified in various ways and placed in a number of groups.
1. How do you classify your artifact? In what groups can you place your artifact? What connections can you make to other artifacts in the group?
MY ARTIFACT, LUFFY’S STRAWHAT, I CLASSIFY AS THE FOLLOWING:
- PHYSICAL
- APPAREL
- LEISURELY
- NOSTALGIC/MEMENTO-IC
- HERALDING
- DEMOCRATIC
- SYMBOLIC
Compare and contrast the artifact. Comparing your artifact to others allows you to generate new ideas about your artifact.
LUFFY’S STRAWHAT VS. MARINE CAPS WITH MARINE LOGO
- PHYSICAL / PHYSICAL
- APPAREL / APPAREL
- LEISURELY / LABORistic (to wearers? [Luffy, Marines])
- MEMENTOic / MEMEMTOic
- HERALDING / HERALDING
- DEMOCRATIC / SOCIALISTIC (NOT INDIVIDUALISTIC VS. SOCIALISTIC)
- LIBERTY VS. SECURITY
- SYMBOLIC / SYMBOLIC
- Exclusive / Exclusive
LUFFY’S STRAWHAT VS. WELL-GROOMED (Hipster?) MUSTACHE
- One-Wearer / Many-Wearers
- For Body / FROM Body
- Easy-going / Polished
- Inclusive / Exclusive
2. Identify points of similarity between your artifact and others. Then identify points of difference with other artifacts. How is it similar? How is it different?
Points of similarity: 1) Outward Presentation of Inward Representation, 2) Numerology (with regards to person(s)), 3) Group Identity.
Point of difference: 1) Extrinsic Purpose, 2) History, 3) Ontological Obtainment Method
Create an analogy or metaphor for your artifact. Analogies and metaphors are ways of making connections between your artifact and other artifacts (anything goes… items of clothing, locations, holidays, texts, products, etc.). Be creative here… try to make (il)logical leaps.
3. What metaphors or analogies suit your artifact? (Explain if needed)
Symbolic as a Clock: working towards a certain time to come (when Pirates clash versus the other major world leaders, the World-Government and Marines).
Ontologically as an Identity “Wall”: some can be included within what it represents, some can not.
Deceitful as a Small, Physical Object: because they signify large forces at work in the world.
In a synthesis: Luffy’s Straw Hat could represent a Small, Physical Clock that acts as an Identity Wall !!
Examine cultural narratives. Cultural narratives are common storylines used throughout culture, telling how things typically happen. Once you identify cultural narratives that apply to your artifact, you can examine them for assumptions and stereotypes. For example, stereotypes (or rigid, generalized ideas about the character and behavior of people with certain identities) are a kind of assumption (or set of assumptions). As with cultural narratives, you may think you are not affected by these assumptions and stereotypes. However, their pervasive presence in the culture means that everyone is affected by them. Naming these assumptions stereotypes can aid you when describing the impact of culture and values on your particular artifact (or your artifact’s impact on culture and values).
The assumptions operating in cultural narratives found in movie plots and song lyrics also get played out in social practices and social institutions. Social practices are shared, habitual ways of doing things. A variety of guidelines exist for the social practice of dating, for instance: who will initiate the date, who will decide where to go, who will pay. Social institutions are larger, more formalized organization the direct our shared social structures. Questions to explore (pick and choose): I’ll take a brief shot at all of them for brainstorming and save what I can for later!
4. How is your artifact characterized? (How do people/media/groups characterize it?)
Extrinsically/Superficially, it seems to represent leisure and idleness. That is, the straw hat represents those who lay back on the beach, sipping on a margarita in the sand, or at least that’s the cultural narrative I think of when considering straw hats. There is the opposite end of the spectrum, those rice paddy hats, or, as ripped from Wikipedia “Asian conical hat”. This one tends to be associated with hard, back breaking work all day under the sun in wet, sticky, humid, marshes and rice paddies. There is a red stripe across it, and it makes me think of the cultural association of good luck in China; in Japan it is considered the color of the sun (powerful). The hat almost always stays with Luffy, whether on his head or strapped along his neck, hanging down his back, so it is something that is indicative of his personality, kind of like some tattoos are meant to be for their wearers, or at least that might be a cultural narrative associated with things “very close to you”.
For many of the individuals I’ve heard and groups I can think of, the straw hat is very much limited to the aforementioned, though I will be on the lookout for divergent views.
5. What cultural narratives govern your artifact?
More or less the same answers as above. It can also be said that because a hat is worn on the head, a place of significance and identification for many, it is increasing more important than, say, Luffy’s sandals (but this is an assumption!).
6. What assumptions, stereotypes, habits, social practices, and institutions frame your artifact?
I like this questions; for some reason it gave a twist to my mind (like you would a lemon to get more juice from it). The institution of entertainment, more specifically, one in the manga creation series. Certainly the creators gave much thought not only to what their straw hat was going to be/mean before it existed, but they probably looked around at the other manga to see what related artifacts they brought to the arena and why.
As for social practices: reading, commentating online, and video commentating online! Exchange of words, but also, when the events come around, cosplay! The habits are very similar I would say, only that cosplay opportunities aren’t often taken seriously until a big comic convention comes around, but when it does and you have peers to come with you, usually it is a habit that everyone in your group is an individual member of the pirate crew, and wear your respective symbols (ohh! This is good, I should compare each individual members’ symbols and their relationship to being all brought under the “Straw Hat” pirate crew name).
Stereotypes of Straw Hat? Most people believe, as a sign that Luffy will become the King of the Pirates, that it is a kind of “Supremacy Symbol”, it represents something that won’t die or die out. I guess one could say it’s like some religious or national symbols that won’t pass even after its members have been persecuted/marginalized (Christian Cross, KKK Confederate Flag). If it ever came to be fallen, it might be comparable to, like, Germany’s Nazi symbols, but I’m stretching it a bit here…
As for assumptions about the straw hat? Same as the stereotypes, but I guess what differs is when people consider the Straw Hat’s past, before it got into the hands of Luffy. The biggest assumptions are that the hat gets passed down from lovers of freedom who have some sort of good will in their hearts, although even this is highly contestable because the pirate twice before Luffy had the straw hat was apparently pretty crazy about “turning the world upside down.” (Gol D. Roger). Another is that all who had the hat probably had a D. in their name.
7. What doctrines or practices affect your artifact? (Or, what doctrines or practices you’re your artifact affect?) Political parties and platforms? Religious? Ideological? Which ones? Are there cultural “rules” and practices? Which?
Doctrines: The actual manga, the TV series, political censorship by states (open right now in most places, I think).
Practices: Reading, viewing, discussing amongst friends, cosplay.
Effect on Culture: definitely ideological, in the sense of demonstrating people that freedom is not simple to obtain; it is fated (what the hate symbolizes, that it is Luffy who will become the next Pirate King, and as Luffy interprets this it means he will be the freest man in the world), that is, there are forces that will try to tilt you towards and against it, and it is reach for, that is, you yourself have some influence to affect what kind of freedom you will obtain, and not just what fate dictates. People wear it to symbolize ideas like this, or even because they would like to recognized for their fondness of the show. People display it in their rooms I’ve seen on videos as a “personality marker” of sorts. It has (like other popular physical things) become a commodity to be bought and sold for the aforementioned purpose, and many other times for cosplay.
8. How does your artifact affect culture? How does culture affect your artifact?
Ahh, accidentally I explained how in my response to #7, which only asked of me to respond to the “what” of cultural artifacts, thought I talked about the “how” too.
Anyhow, I think I’ve some new ideas after playing around with these heuristic strategies, though I’ll likely have to think harder about how to integrate these into my next essay…..
YouTube started out as a way for a guy to upload videos of his cat. Now it is used for any kind of video you can imagine. From learn how to pick a lock or build a chair to learning how to code and music videos. You can find just about anything on YouTube, it has become the video google platform. K-Pop music companies use it to upload their artist(s) music videos so that they may have a global outreach. It is one of the reasons K-Pop has become so accessible. Fans flock to YouTube when teaser videos are released and when the music video is released, they re-watch it countless times to help increase the view count. The higher number of views, means the more notice their artist will attract. The fans have also taken to YouTube to upload Korean variety TV shows when their artist is likely to appear on the show and put subtitles to it so that fans from a different country can enjoy see them in a different light. Videos from popular shows like Weekly Idol and Happy together end up translated and put on YouTube. Mostly under different names as they are more likely to be taken down if the official name is used. Having these videos allow fans to have access to their idols 24/7. The fans especially look for FANCAMs (fan camera) that are taken during a concert. That way they can feel as if they were there too. Even if they know the songs, the videos help them see the remixes, and social interaction that happens during a concert that is not likely to happen because the artist may never visit their country/state(or province)/city. Fans have even flocked to YouTube to upload lyrics videos of the artist(s) songs that include the Korean, Romanization (Korean written in English instead of Korean characters) and English versions so that it can help their fellow fans follow along and learn the song. The music videos that are released online also have a fan chant that accompanies the song. Fans who are part of the fan cafe (a place where Korean fans gather and get information about their artist) have access to the chant and will usually upload a video to spread the word. This helps the all the fans learn the chant so that when they see the artist live they can chant along with the song. YouTube has made the connection between artist and fan more personal.
Wow. Like seriously. The release of the opening sequence for Aqua’s story in 2.8 got me in my feels for real. I haven’t even played as Aqua since 2011 when her game was released — she hasn’t reappeared since, either. But the music, along with the stunning visuals, really gave me a flash of nostalgia, and the moderate/mild care I had for her grew as if I were 17 again, sneaking my friend’s PSP to play Birth By Sleep in my history classroom.
I don’t think that would have happened with a different singer. Utada is too iconic in the KH franchise. She’s basically her own character in the KH world. I find myself agreeing with fans who worry that we won’t get new music from her for the last game. What is it about music?
Why is it that the games wouldn’t feel the same with a different artist? Is it just nostalgia.. or that fans don’t like change..? I like to think not. Utada’s music just works so well for everything KH seems to represent. And there have only been 2 songs! Remixes, yeah. But the idea is the same. With just two songs, Utada has been able to encapsulate a decades worth of stories and experiences. I don’t really know how to wrap my head around the importance of her music, but I know the feeling wouldn’t be the same with someone else.
On the subject of the release of the half-titled games to the PS4, I know it’s a smart business move disguised as a ~look at how convenient we’re making it for you to catch up for KHIII~ but ohh my god am I excited. I’m already starting to pre-plan for getting around student teaching and playing hours upon hours and reliving my childhood. The feeling is definitely not exclusive to me… millions of people my age are going to be charging credit cards and cancelling plans once these games drop. I can’t imagine what it would look like once KHIII finally drops.